Runme.org Review -Wes Jackson Runme.org is in its own words, “a moderated database to which people are welcome to submit projects they consider to be
Read moreArtport
-Liz “The ‘online-only’ exhibition of net art at a museum website seems to have advantages in that it preserves the original context of how the
Read moreMaking Things Public
Looking at Making Things Public Andrew Nealon Making Things Public debuted March 19, 2005 at the Karlruhe Center for Art and Media Technology. The multi-media,
Read moreRevised Readings for 10/5 and 10/2
Please note that I posted a slightly revised syllabus, on which I’ve moved some of the readings we were originally scheduled to discuss on 10/5,
Read moreNovel Told Through Emails
I stumbled on this accidentally and realized it might relate to our discussions on the materiality of text, since this novel is told through email
Read moreThe Smithsonian Commons
“[The Smithsonian Commons are] the centerpiece of the Smithsonian’s Web and New Media Strategy – a new part of our digital presence dedicated to stimulating
Read moreMaterial/Immaterial: Affinties
A Review of Selected Online Exhibits at the Smithsonian National Museum of American History By Alex Campolo Entering the virtual lobby at homepage of the
Read moreThe Original Copy: A Panel Discussion on Photography and Sculpture
The Original Copy: A Panel Discussion on Photography and Sculpture This panel discussion is moderated by Roxana Marcoci, curator of the exhibition, The Original Copy:
Read moreSecret History of the Dividing Line, A True Account in Nine Parts
Friday, September 10, 2010 at 7:30pm
Secret History of the Dividing Line, A True Account in Nine Parts
177 Livingston Street, Brooklyn
The Life Of The Object: An Experimental Workshop And Conference On Production, Consumption, and Creative Reuse In American Culture (Apr 2011, Madison USA)
(This image is pretty fantastic, too.) The Mid-America American Studies Association (MAASA) Conference at The University of Wisconsin-Madison. Sponsored by the UW Art History Department,
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